Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Pavel Fedotov
Portrait of N P Zhdanovich at the Harpsichord

ID: 58815

Pavel Fedotov Portrait of N P Zhdanovich at the Harpsichord
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Pavel Fedotov Portrait of N P Zhdanovich at the Harpsichord


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Pavel Fedotov

1815-1852 Realism Russian Russian painter and draughtsman. He was noted for his satirical critique of Russian life of the mid-19th century. He attended the First Moscow Military School (1826-33), then served in St Petersburg in the Finnish Regiment Life-Guards. While earning a reputation as an honest and hard-working officer, he drew a great deal, played the flute and took part in amateur theatrical performances. Having become established as the regimental artist, in 1834 he began to attend evening classes at the St Petersburg Academy of Arts. In November 1843, after a long period of doubt, he resigned his commission in the army in order to become a professional artist. He began to attend the Academy regularly and joined the battle-painting class of Aleksander Zauerveid (1783-1844),   Related Paintings of Pavel Fedotov :. | Major Betrothal | The Newly Decorated Civil Servant | The Major-s Marriage Proposal | Young widow | Breakfast of an Aristocrate |
Related Artists:
George Robert Lewis
English, 1782-1871
Joaquin Torres-Garcia
Uruguayan Painter and Sculptor, 1874-1949,was a Uruguayan artist (in a variety of media) and art theorist, also known as the founder of Constructive Universalism. Born in Montevideo, Torres Garcia later travelled extensively, and lived for some time in Barcelona, New York, Paris, and Madrid. He returned to Uruguay in 1934.
CAVALLINI, Pietro
Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,






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